Roberts, at this point in her career, had already earned an Oscar nomination for her turn in 1989’s Steel Magnolias. She had also starred in Mystic Pizza and Blood Red. However, Pretty Woman is regarded as Roberts’ breakout role, propelling her to a new level of fame and potentially making many of her later roles possible. While Gere was more established, his career was also boosted by Pretty Woman.
In a recent interview with Deadline, Roberts was asked if she would take on the role in Pretty Woman today (assuming she were the right age). However, Roberts responded that, now that she is much older, she doesn’t think she has the “innocence” needed to play Vivian Ward anymore: “Oh, it’s impossible. I have too many years of the weight of the world inside of me now that I wouldn’t be able to kind of levitate in a movie like that, right?”
Read Roberts’ further comments on this below:
I mean, not weight of the world, like, negative, but just all the things that we learn, all the things that we put in our pockets along the lane. It would be impossible to play someone who was really innocent, in a way. I mean, it’s a funny thing to say about a hooker, but I do think that there was an innocence to her, a kind of…I guess it’s just being young.
“Think about all the movies and plays of the ’20s and ’30s and ’40s,” the star continues, “you would look at them now and just be like, ‘How are people saying these things, doing these things?’” Pretty Woman is hardly the only old rom-com that could now be interpreted as problematic, and may be written differently today, if it were released at all.
Pretty Woman was also compared to Anora, last year’s Best Picture winner, which has a similar premise but depicts a much darker take. But despite the harsh realities of rewatching Pretty Woman, it had a huge impact on Roberts’ career. She was again nominated for an Oscar for her performance in Pretty Woman, and following the hit, went on to star in Flatliners, My Best Friend’s Wedding, and Notting Hill throughout the 1990s.
There is much discussion surrounding the merits and problems of Pretty Woman as a movie, and Roberts may not have done something like it today, but she doubtlessly made her mark on cinematic history with it then.
