The moment Kendrick Lamar crossed paths with Dr Dre and Tupac Shakur at nine years old
Kendrick Lamar signed a deal with Dr Dre’s Aftermath label when he was 24, but he first crossed paths with the NWA legend 15 years earlier. K. Dot, like Dre, is also from Compton and, aged nine, stumbled upon Dre filming the second music video for ‘California Love’ with Tupac Shakur.
King Kenny told the story during a conversation with Erykah Badu, recalling the unforgettable moment he shared with his father. What made it even more remarkable is that it was in the years before Tupac lost his life.
“I saw [Dre] when I was nine years old in Compton—him and Tupac,” he told Badu for Interview Magazine. “They were shooting the second ‘California Love’ video. My pops had seen him and ran back to the house and got me, put me on his neck, and we stood there watching Dre and ‘Pac in a Bentley.”
He continued, “I’ll never forget this moment—it was probably about a year and some change before ‘Pac died. So the moment I met Dre 15 years later, that’s what was playing in my head. He was talking to me, and the whole time I was like, I hear him, but I’m not listening, because all I could think about was that moment when I was a kid.”
Kendrick admitted that he had to put his fandom aside to focus during their first studio session. “It was tricky at first because right after that, he said, ‘Go in the booth,’ so I had to, in a split second, stop being a fan and get professional,” he said. “That moment was make-or-break for me in my career, but I executed.”
He released his good kid, m.A.A.d city album in 2012, and the rest is history. The album is considered a hip-hop classic, with Kendrick going on to release To Pimp a Butterfly, DAMN. and Mr. Morale and the Big Steppers on Dre’s label.
During another interview with the Recording Academy, Kendrick revealed that seeing Dre and Tupac that day inspired him to become a rapper. When he eventually met Dre, he even remembered the kids standing out there on the street that day. It was a full-circle moment that neither of them could have predicted.
“I think it was a white Bentley, that moment right there, whether I knew it or not, branched me off to what I’m doing now, it was already designed in destiny,” he said. “15 years later, I meet Dr Dre, and I explained that story to him, and he remembered that same exact moment, and he remembers them kids that were out there, and I said, ‘Dre, I was one of the kids that were there.’ It’s a crazy feeling.”
On the 20th anniversary of Tupac’s death, Kendrick wrote on social media, “I couldn’t describe how I felt at that moment. So many emotions. Full of excitement. Full of joy and eagerness. 20 yrs later I understand exactly what that feeling was. INSPIRED. The people that you touched on that small intersection changed lives forever. I told myself I wanted to be a voice for man one day. Whoever knew I was speaking out loud for u to listen.”

The iconic Jay-Z beat that originally belonged to Jadakiss
Sometimes in the music business, instrumentals, in need of a home, can be passed along from one artist to another. A producer puts together a track, which is later played for singers or rappers, who, in turn, may or may not end up using it. It’s a common practice, but it means that, sometimes, certain artists make big mistakes. Jadakiss, for one, said no to a track that became a hit for none other than Jay-Z.
‘Jigga My N—a,’ or simply ‘Jigga,’ was featured on the hip-hop label Ruff Ryders’ compilation album Ryde or Die Vol. 1, which came out in 1999. It saw Jay-Z rapping over a beat produced by Swizz Beatz, and, following its release on the Ryde or Die compilation, it also showed up on Jay-Z’s own fourth album, Vol. 3… Life and Times of S. Carter, albeit as a hidden track right at the album’s end. As a single, it served Jay pretty well, peaking on the Billboard Hot 100 at number 28, but topping the rap charts.
It is difficult to imagine anyone other than Hov rapping over Swizz’ beat for the song, but, as Swizz himself admitted on the Drink Champs podcast in 2017, it hadn’t initially been meant for him. “Jada had ‘Jigga’ first,” Swizz claimed. “Listen to the record close: the original record was ‘Jaaaada,’ and he didn’t want it. Then ‘Jigga’ came out and we got into some words. [Jadakiss] didn’t drop a verse on that.”
It seems strange that Jada didn’t like the track enough to use it, considering how successful it ultimately became for Jay-Z. But it happens. Sometimes a track doesn’t capture a person’s imagination in the same way that it does for someone else. That’s normal, but the fact it happened another time as well is quite odd.
Appearing on the Club 520 podcast, Jada admitted to passing on another song that ultimately went to Jay-Z: ‘U Don’t Know,’ produced by Just Blaze. Blaze apparently sent him the track, but Jada wasn’t interested. What was the problem with it? “Too much going on sometimes,” as Jada put it.
To pass over, not one, but two successful Jay-Z tracks must sting Jada a bit, but it’s gone both ways. It turns out that Jay, too, has previous for this sort of thing, having turned down the eventual Jadakiss song ‘We Gonna Make It.’ That one was produced by The Alchemist, who, speaking on the A Waste of Time podcast, claimed that Jay and Nas had been offered the track.
When that didn’t work out, it eventually found its way to Jadakiss, who used it as the lead single from his debut album Kiss tha Game Goodbye. It seems this sort of thing happens all the time.